Emotional affinity to nature (lyrical expression)
|
Status |
Format |
| Andrew Parker & David Curtis: Ephemera: A case study in how the arts can create emotional affinity for ecological restoration |
 |
Oral presentation and film |
| Leanne Thompson: The Terrain of Belonging |
 |
Oral presentation and workshop |
| Lea Kannar-Lichtenberger: The march of time, thawing, tourism, & toxins impacting the Pacific |
 |
Oral presentation |
| David Fonteyn: Ecological Allegory |
 |
Oral presentation |
| Toni Roberts: Inklings: unforgetting our watery bodies |
 |
Oral presentation and visual artwork |
| Patrick Shirvington: An analysis of children’s picture books, observing the influence they have on the young reader |
 |
Oral presentation |
| Susan Gourley: Rethinking the relationship with nature in contemporary Australia: salvaged materials, colonial history, and cross-cultural narratives |
 |
Oral presentation |
| Tamryn Bennett & Jennine Primmer: Red Room Poetry’s extinction elegies – creating empathy to counter apathy |
 |
Oral presentation |
| Vanessa Tomlinson: Connecting to place through sound |
 |
Pecha Kucha |
| Sharon Jewell and Tricia Dobson: Canaipa Mudlines: redressing value through ephemeral art in a small island setting |
 |
Oral presentation |
| Kassandra Bossell: Humans inside nature: co-agency in multi-species art |
 |
Oral presentation |
| Annique Goldenberg: The perspective of umwelt and collaborative slow art |
 |
Oral presentation |
| Penny Dunstan: Sixteen Earth bowls |
 |
Oral and visual presentation |
| Greer Taylor: ephemeral sculptures |
 |
Pecha Kucha |
| Emma Korhoren: [TBC] |
 |
Pecha Kucha |
Emotional indignation / critical engagement / persuasion
|
Status |
Format |
| Jill Sampson: |
 |
Oral presentation |
| Marty Branagan: Locked On! The Seventh and Most Illegal in the Hitchhiker’s Guide Trilogy |
 |
Pechu Kucha |
| Nicolas Ozolins: Under a rock: The political ecology of crayfish |
 |
Oral presentation |
| Joan Boylan: Nuclear Fallout Ultra-safe Central Control Tent (NFUCCT) |
 |
Pecha Kucha |
| Phil Smith: Speaking 4 the Planet: An arts-based approach to creating a world worth living in |
 |
Performance |
| Penny Sadubin: Fish Kill |
 |
Visual artwork (ground-based sculpture) |
| Tonia Gray, Fern Hames & Marji Puotinen: Homeward bound: integrating arts, science and female leadership for climate change advocacy |
 |
Oral presentation |
| James Lee, Michelle Maloney and Marian Drew: Earth Arts and the Rights of Nature |
 |
Oral presentation |
| Peter Notley: The Resource Revolution – observations from the front line |
 |
Dance |
| Vincent Bicego: Misrepresentations: Deep Time, Real Time |
 |
Visual art work |
Transformative action: arts practice
|
Status |
Format |
| Tiffany Gray: Going down the drain |
 |
Oral presentation / performance |
| Berish Bilander: Greening the scene – innovations, campaigns, and interventions in the music industry to tackle climate change |
 |
Oral presentation |
| Garry Slocombe: Leonard Cohen ANTHEM – motivating and arming the climate change warrior |
 |
Oral presentation |
| Thor Blomfield: 21st century community |
 |
Oral presentation |
Transformative Action: Embedding the arts in ecological sustainable development
|
Status |
Format |
| Jodi Newcombe: |
 |
Oral presentation |
| Gilbert Grace: KISS the Earth Lightly: ARTcycle Inc., KSCA., & Sydney Green Ring |
 |
Oral presentation |
| Cecily Miller: Can art save the world? A look at public art projects in the USA that seek to promote environmental stewardship. |
 |
Oral presentation, by digital video link (USA) |
| Claire Tracey: Creating sustainable transformation through art and design: a case study in developing the corporate interest in ‘green’ art |
 |
Visual arts |
| Laura Donkers: Eco-Social Practice: advancing collaborative artistic co-creative methods to promote eco-social regeneration |
 |
Oral presentation |
| Jane Gavan: Sustainability as a lens for practice — a case study that emerges as a formulation of how creative practice can evolve toward sustainable productivity for diverse communities and the environment |
 |
Oral presentation |
Transformative action: Reclaiming and restoring physical environments
|
Status |
Format
|
| Susan Stevens: Restoring native vegetation in coastal Sydney – aesthetically-pleasing plantings |
 |
Pechu Kucha |
| Gabrielle Quigley: Finding the golden thread: why we need social sculptures |
 |
Pechu Kucha |
| Louise Fowler-Smith: The Eco-artist Tree Veneration collective and community engagement |
 |
Oral presentation |
| Dave Carr: Festivals as a Trojan horse for environmental messages: Armidale’s Black Gully Festival |
 |
Oral presentation |
| Rhiannon Morgan and David Mitsak: Festive building culture |
 |
Oral presentation |
| Catherine van Wilgenburg: Does 65,000—120,000 years of Australian Aboriginal culture count as world best practice EcoArt? |
 |
Oral presentation |
Visual Art
|
Status |
Format |
| Lea Kannar-Lichtenberger: Distorted Truths |
 |
Visual artwork |
| Candice Boyd: If the trees spoke … |
 |
Sculpture |